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THE KNICKERBOCKER MUSIC CENTER

35 Railroad Avenue, Westerly, RI 02891 (Misquamicut) | (401) 315-5070

Open Today: 1am

Venue Description
  • Today

    Friday

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    Saturday

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    Sunday

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    Monday

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    Tuesday

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    Wednesday

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  • 27

    Thursday

Live Music

SPECIAL EVENTS: New England Winter Blues Festival

DINING: The Best Fish and Chips.

NIGHTLIFE: Live Music. National to local acts. Visit www.knickmusic.com for more info.

Hours
1am

Age
21+

Music
Live Bands

Atmosphere
Busy

Live Music

NIGHTLIFE: Live Music. National to local acts. Visit www.knickmusic.com for more info.

DRINK DEALS: Drink Specials Available.

Hours
1am

Age
21+

Music
Live Bands

Atmosphere
Busy

Live Music (8pm)

NIGHTLIFE: The Tap Room at The Knickerbocker is an intimate listening room with a retro speakeasy atmosphere that hosts acoustic sets. The Tap Room features a house sound system playing exclusively vinyl records on non-performance nights.

DRINK DEALS: The Tap Room offers specialty cocktails, eclectic cordials, local craft beer, and more!

Age
21+

Cover
No Cover

Music
Acoustic

Atmosphere
Busy

Live Music (8pm)

DINING: Brand new food menu for Tap Room and adjacent Knickerbocker Music Center.

NIGHTLIFE: The Tap Room at The Knickerbocker is an intimate listening room with a retro speakeasy atmosphere that hosts acoustic sets. The Tap Room features a house sound system playing exclusively vinyl records on non-performance nights.

DRINK DEALS: The Tap Room offers specialty cocktails, eclectic cordials, local craft beer, and more!

Age
21+

Cover
No Cover

Music
Acoustic

Closed Today

Live Music (7:30pm – 10pm)

SPECIAL EVENTS: The Chris Leigh Band

NIGHTLIFE: Let's Dance Wednesdays. Live Bands from 7:30-10pm. Offering Free Dance Lessons starting at 7p. Doors open at 6:30pm.

Age
21+

Cover
10

Music
Live Bands

Atmosphere
Busy

Live Music (8pm)

DINING: Brand new food menu for Tap Room and adjacent Knickerbocker Music Center.

NIGHTLIFE: The Tap Room at The Knickerbocker is an intimate listening room with a retro speakeasy atmosphere that hosts acoustic sets. The Tap Room features a house sound system playing exclusively vinyl records on non-performance nights.

DRINK DEALS: The Tap Room offers specialty cocktails, eclectic cordials, local craft beer, and more!

Age
21+

Cover
No Cover

Music
Acoustic

Atmosphere
Busy

Special Events

  • 21 February

    New England Winter Blues Festival -

    Curtis Salgado (Headliner), Sugar Ray Norcia, GA-20, Gina Sicilia Curtis Salgado, Headliner Award-winning soul, blues and R&B vocalist Curtis Salgado’s earth-shaking vocals and forceful harmonica playing have been devastating audiences around the world for over 30 years. NPR calls him “a blues icon” with a “huge voice.” Salgado quickly developed into a player and singer of remarkable depth. In his 20’s, he was co-leader of the Robert Cray Band. In 1977, Salgado met actor John Belushi while the comedian was filming Animal House. Salgado and Belushi spent hours playing old records, with Belushi soaking up the music like a sponge. He used his new blues knowledge to create the The Blues Brothers. Salgado joined forces with The Robert Cray Band, and shared stages with many of his heroes, including Muddy Waters, Bobby Bland, Albert Collins and Bonnie Raitt. He fronted Roomful Of Blues, before forming his own band. Salgado won three 2013 Blues Music Awards including the coveted B.B. King Entertainer Of The Year. He also won for Soul Blues Male Artist Of The Year, and for Soul Blues Album Of The Year. In 2017 Salgado won three more Blues Music Awards: Soul Blues Album Of The Year for The Beautiful Lowdown, Song Of The Year for Walk A Mile In My Blues and Soul Blues Male Artist Of The Year. Sugar Ray Norcia Sugar Ray Norcia is a real deal artist. His deeply emotional vocals and harp playing are heard on numerous albums released by his band the Bluetones from the 1970s to the present. Early in their career, the Bluetones were the backup and/or touring band for Big Joe Turner, J.B. Hutto, Roosevelt Sykes, Otis Rush, Big Mama Thornton, Big Walter Horton, and Sunnyland Slim. Hubert Sumlin, Ted Harvey and Doug “Kid” Bingham are all alumni of the band. Bingham left the Bluetones to replace Jimmie Vaughan in the Fabulous Thunderbirds. As if that weren’t enough, Norcia himself has recorded with Joe Louis Walker, Al Basile, Pinetop Perkins, Sax Gordon, Debbie Davies, Jimmy Rogers and Al Basile, among other. “SUGAR RAY IS THE REAL DEAL. THERE IS NOBODY BETTER TO REPRESENT THIS MUSIC." - KIM WILSON, THE FABULOUS THUNDERBIRDS "SUGAR RAY HAS GREAT TONE AND PHRASING, SINGING AD PLAYING THE HARP. ONE OF MY FAVORITES." -CHARLIE MUSSLEWHITE GA-20 A modern blues guitar trio formed by friends Pat Faherty and Matthew Stubbs in Boston, GA-20 is a raw, passionate and honest performance, both on stage and in the studio. GA-20 released their debut album “Lonely Soul” in 2019 with the album debuting at #2 on the Billboard blues charts. Stubbs has spent the past 11 years as guitarist for Blues legend Charlie Musselwhite. During that time he has also backed up and toured with such Blues giants as John Hammond, James Cotton, Junior Watson and James Harman. Gina Sicilia Dynamic singer/songwriter, Gina Sicilia’s music is a testament to her evolving love and practice of blues and country music. “I have always tried to write blues-influenced songs with pop sensibilities and pop hooks—catchy songs that people can sing along to. SICILIA integrates down-to-the-roots inspirations seamlessly within her 2018 album Heard the Lie's bluesy moments. Since nabbing a Blues Music Award nomination for Best New Artist in 2008, SICILIA has enjoyed great chart and radio success in the genre. Tug Of War reached #3 on the Contemporary Blues Album chart and was the #1 roots album in Tennessee. "Abandoned" reached #2 on the Contemporary Blues Song chart, "He Called Me Baby" reached #1 on the Soul Blues Radio chart, “I Don’t Want To Be In Love” reached #3 on the Contemporary Blues Radio chart. Show: 8p | Doors: 7p Tickets: $20 advance / $25 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 26 February

    The Chris Leigh Band -

    Progressive Blues-Rock Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30pm-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 28 February

    The Silks -

    The Silks are a rock and roll band out of Providence, Rhode Island. You could say The Silks are the rock and roll band from Providence, but then you wouldn’t exactly be asking the cool kids. You’d need to dig a bit deeper than trends. The Silks exist outside of The Hip’s bearded rat race. The sound is classic power trio of the blues-based variety. You know, The Devil’s music. You’ve got guitar pyrotechnics galore from frontman Tyler-James Kelly. Chicken-pickin’ or taking a soaring lead break, it’s quickly apparent Kelly’s on a whole’nother level. It makes you wonder just when did he get his first real six-string. Then there’s the voice. Ballsy, bluesy, however you want to describe it, it just sounds like ripping a telephone book in half and feels like scratching a really good itch. The rhythm section of Sam Jodrey on drums and Jonas Parmelee on the bass guitar chug-chugs and chop-chop-chops along. Fast songs, slow songs, it doesn’t matter. It’s always all about the dance floor. The dance floor reciprocates. After releasing their Paul Westerberg produced debut album, “Last American Band” at the tail end of 2013, The Silks continued building on their following with constant gigs. All kinds of gigs. With a work ethic as old-school as their whole vibe, most of their shows are of the “all nighter” variety. Two sets. An hour and a half each. Only, they’re playing original music. Who does that these days? The Silks have had their share of carrots dangled in front of them. It’s not every band that gets to make a record with help from the likes of Westerberg and Jim Boquist of Son Volt fame, after all. From there, they went on to open for The Replacements at The Fillmore in Detroit in the spring of 2015. They’ve also played in support of Rocky Erickson, Wanda Jackson, Dirty Heads, The Drive-By Truckers, Black Joe Lewis, Deer Tick, The Sheepdogs and Patrick Sweeny among others. Show: 9p | Doors: 8p Tickets: $10 advance / $12 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 29 February

    Johnny & the East Coast Rockers -

    Swingin' Rhythm and Blues Where people are swinging in Rhode Island and Connecticut, Johnny and the East Coast Rockers are playing. A premiere Rhythm and Blues dance band in the Northeast for over 28 years, Johnny MacLeod and his band perform original tunes and favorite covers from the 40's, 50's, and 60's in an eclectic mix, that combines elements of traditional blues, swing, jazz, R&B, and roots rock. Show: 8p | Doors: 7p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 04 March

    Greg Piccolo and Heavy Juice -

    Let's Dance Wednesdays! Perhaps best remembered for his 24-year stint with Rhode Island's internationally renowned jump blues band Roomful of Blues, Greg Piccolo has followed his muse since his teenage years. He started his first band, The Rejects, at age 13, singing and playing a little alto sax. It was while with this band, playing a date at the Westerly, Rhode Island YMCA, that he met Duke Robillard. It was one of the defining moments in his life. He joined Duke in The Variations, and Duke introduced him to the work of such musicians as Chuck Berry and Muddy Waters. Greg was already familiar with their songs from the covers recorded by the likes of the Beatles, Rolling Stones and the Animals, but until Duke played Greg the originals, he was unaware of the wellspring of the blues. Greg started to drink from the source. When Duke broke up The Variations, Greg hooked up with Al Copley and together they formed Groupe, an outfit that became popularly known as Greg and the Groupe. In keeping with the redefining sixties, neither an article nor an adjective preceded Groupe. During this period Duke Robillard very briefly led a band called The. Just for the record, this was before Monty Python. Around the age of fifteen, Greg turned from alto to tenor, a move that was the result of his being transfixed by the tenor solo on Dion's "The Wanderer." Another defining moment. After working with Duke in an early edition of Roomful of Blues, (a Roomful without horns – Greg played harp), he returned the following year with his tenor sax. He was nineteen, the year was 1970, and that was the time Greg notes, "I really started in on tenor sax. Duke made it happen; he was a strong musical leader." Duke had heard Eddie "Cleanhead" Vinson that summer at the Ann Arbor Blues festival, and had decided a horn band was the way to go. Rich Lataille (alto and tenor) joined Roomful the same time as Greg, and baritone player Doug James came on board the following year. The now legendary Roomful of Blues horn section was born. From this point until his departure from Roomful in 1994, it is impossible to speak of Greg without mentioning Roomful and vice versa. During the seventies he took care of the band's booking and management, and when Duke left in 1979, he became bandleader, and for much of the time, the band's singer too. It is from this period that one can say that Roomful's career really took off in an international sense, and Greg's singing – soulful, declamatory and passionate – coupled with a jaunty and energetic stage demeanor, won him fans all over the world. And of course, there was that battered old Selmer Mark VI, hanging from his neck, a tornado in the offing, an ever-present threat of mad abandon. His hard and driving take-no-prisoners sound on up tempo numbers caused pandemonium on the dance floor, while he could make the bouncers weep on a slow blues. Producer, critic and DJ ("Portraits in Blue") Bob Porter, who produced two of Roomful's Grammy nominated albums, noted "Pic has started a new tradition on tenor sax." It was during the early 1980's that Greg started writing songs, and Roomful's 1984 release. "Dressed Up To Get Messed Up" broke new ground for the band in that most of the tunes came from his pen, and endowed the band with an artistic integrity that none could dispute. Greg had given Roomful of Blues, a band that could trace its musical influences back to the nineteen thirties, a contemporary edge that put it in the vanguard of roots based bands. In 1990 Greg cut his first solo album "Heavy Juice" for Black Top Records. A collection of mainly instrumental cuts, it featured his tenor and garnered unanimous critical acclaim. Around this time he took up guitar, which he had dabbled with when a teenager, and fairly quickly developed a sound that could fairly be described as archetypical Piccolo. Just like his sound on sax, his sound on guitar emphasized tone and simplicity to tell a story. Greg left Roomful in 1994 to follow his own particular musical vision. Greg Piccolo and Heavy Juice toured incessantly for the next five or six years, and cut two albums for Fantasy Records, "Acid Blue" (1995) and "Red Lights" (1997). The sound was more contemporary than his previous work and showed his willingness to experiment and to blaze new trails. Nevertheless, it was still music with a feeling. Both albums contained those Greg Piccolo staples that one had come to expect over the years. Finely crafted songs, tasty guitar, some raucous tenor, even a bit of alto, all heavily spiced throughout with soul and passion. The continuing decline of venues across the nation ultimately took its toll and by the time Greg released "Homage", his tribute to his tenor sax heroes, issued on his management company's Emit Doog label, he had hung up his touring shoes. He now cherry picks those dates he wants to play. He is in demand as a session player by the cognoscenti, although sadly in these days of downloads and general digital gloominess, the cognoscenti is undeniably diminishing. He recorded a couple of sessions with Canadian superstar Colin James ("Little Big Band 3" and a Christmas album), and gets the occasional call from the likes of Jimmie Vaughan. For instance, he played on Jimmie's Grammy nominated "Ironic Twist." Currently he is working on some big band arrangements of his tunes, and hopes to book some dates around that project. He plays New England dates with old band mates from Roomful occasionally, folks such as Carl Querfurth, Sugar Ray Norcia, Rich Lataille and Doug James. His tone, sound, and outlook are unchanged, although these days he finds himself playing more ballads than before. It is still the sound and the feeling that drive him. And when he says, "Swing is closest to my heart" one has to stand back and look at what this man has done over the last forty years. In company with his Roomful compatriots, Greg Piccolo is one of the guys that reintroduced swing to America in a popular sense. The swing revival of the nineties would never have happened without Roomful of Blues pointing the way during the seventies and eighties. Over his long career, Greg has played with scores of the legendary heroes of American music, and although he will emphatically deny it, he now has his own place in that pantheon. Music with a feeling indeed. – Written by Bob Bell Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 06 March

    Thor Jensen Band Hometown Show -

    Combining masterful technique and raw emotion, Thor Jensen's music is equally powerful and gritty yet evocative and thoughtful. His new EP, released in March 2019, seamlessly blends classic rock and roll with bluesy American roots music. Electrifying guitar riffs balanced by relatable lyrics take listeners on an exhilarating journey that feels both suspenseful and familiar. The self-taught guitarist began playing at the age of 10, inspired by the musicianship and compositions of a wide range of artists. Of his primary musical influences, Jensen says, “Music is my greatest influence on my music and me. I know, I know. That's an asshole answer, but it’s true. I love certain artists and styles, but they all play a major role. Tom Waits, Morphine, Jimi Hendrix, Django Reinhardt, Deep Banana Blackout, Dr. Dog, Taj Mahal, Allman Brothers, Fatal Film, all equally important in music and life.” As a teen in Connecticut, Jensen played with local jam bands before joining Portland based rock band, Quiet Life. Over the next four years, Jensen honed his performing chops while touring the US and UK as lead guitarist. His showmanship earned critical praise: "Jensen is able to fill the intimate room with such power and preciseness that one would think the rest of his band is hiding somewhere" (Krystal Lynn Mutschler, Western Sun) and an invitation to join modern guitar virtuoso Stephane Wrembel’s band. After spending more than 15 years performing rock and roll, shifting his focus to gypsy jazz and the music of Django Reinhardt was an exciting challenge for Jensen. "Joining Stephane's band was definitely a big learning curve," he says. "First and foremost was just the sheer amount of Wrembel's material – a few album's worth, at least. And this isn't like, 'Well, this one has a few chords and goes to C.' I had to sit down and just learn. It was tiring because there was also a lot of Django's catalog, which we do live. Between getting that original email and starting the tour, well, I learned what felt like about 150 songs in three months." But the experience proved invaluable for Jensen, as he notes, “from an artistic standpoint, and to understand and assimilate gypsy jazz and this level of guitar playing, I needed this opportunity.” A rigorous performing schedule and voluminous music catalog helped Jensen to develop a true mastery of his instrument and a deeper appreciation for musical detail. “The rhythms are insane in this type of music. I talk to [Wrembel drummer] Nick Anderson constantly about the smallest details: The specificities of a quarter note and how to make that into a canyon. Doing that night after night teaches you things you never remotely suspected about time and rhythm. You're moving at lightning speed onstage – but for me it all slows down and it's amazing." As Jensen began composing his own music, he felt drawn to return to his rock origins but observed a common bias amongst his peers in gypsy jazz music: "Currently I exist in a world/genre of highly skilled, bad ass guitar players who all give me a funny look and confused reaction when I say that I'm making a rock and roll record and immediately liken it to stupid, formulaic music.” With support from longtime collaborators Ari Folman-Cohen on bass and drummer Nick Anderson, Jensen's debut EP attempts to disprove these notions and move the genre forward by re-introducing the unabashedly raw, imaginative heart and soul of rock and roll. Says Jensen, “I'd like to join the team of people who're out there trying to change those minds." Show: 8p | Doors: 7p Tickets: $15 advance | $17 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 07 March

    The Music of Bob Dylan -

    Featuring Rob Davis, Jay Hartley, Marty Moroney, Paul Sauvageau, Marc Scortino, Josh White Show: 9p | Doors: 8p Tickets: $10 advance / $12 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 13 March

    Sugar -

    Disco/Funk/Hip-Hop/R&B Performing together as a band for over 15 years, we've really seen and done it all. We've shared the stage with the likes of Bo Diddley, Rick Derringer, Tower of Power, The Go Go's, Kansas, Toto, Dick Dale, Eddie Money, Trick Pony, Men At Work, J. Geils, John Cafferty & The Beaver Brown Band, and Peter Frampton, to name a few. To sum it up in one word... EXPERIENCE. This experience comes complete with full back-line, lighting, and a pro sound company for all events as well as the availability to travel to any destination in the world. Whether you need top 40 high-energy hits from the first song of the night or a more relaxing atmosphere as we slowly ease your guests into a night filled with excitement and dancing, we've got it covered. The Sugar music catalog boasts an enormous repertoire of material that spans a multitude of genres, styles and generations, past and present, old and new. We are ready to satisfy the broad musical tastes of you and your guests. Sugar will deliver with our unique blend of musical variety, vitality and class. We guarantee your event to be remembered by all who attend! Sugar consists of: Marcy Kelly - Vocals, Natalia Mortrude - Vocals, Joe Michael - Guitar, Israel Malek - Keyboards/Vocals, Andrew Chaney - Bass/Vocals, Ric Haddad - Drums, Matthew Dean - Percussion, & Klyph Johnson - Saxophone/Keyboards. Show: 9p | Doors: 8p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 14 March

    The Breakers tribute to Tom Petty -

    If you hear someone mention “Tom Petty Tribute Band”, and you think blonde wigs or dyed blonde hair and a mediocre-at-best vocal performance, then you haven’t been to a Breakers show. The Breakers are a no frills rock band who meticulously encompass the Tom Petty sound and musically establish an emotional connection with the crowd that’s palpable. When asked why they didn’t take the impersonation and prop-driven approach, founder Tom Smith says “we wanted to approach the tribute genre as a true live band, and in (lead vocalist) Chris Chartier we have what no one else has - the most genuine sounding Petty experience in the country.” The members of the Breakers all come from a background of recording and touring with original bands and perform the music of The Heartbreakers with the same passion and dedication. They have paid tireless attention to detail to each and every song which appeals to both casual and diehard Tom Petty fans alike. Since the fall of 2018 when Tom Smith, Chris Chartier, Evan Smith, Rick Hiller, Tom Booth and Steve George joined forces, they have been practicing and honing their sound. In May 2019, they posted a homemade video compilation to YouTube which in just a few months has over 7k views. Playing to an emotional and packed house, their debut performance at The Newport Blues Cafe in August was a resounding success. And with only one show under their belt their next performance would be a sell out show at the Narrows center for the arts in Fall River MA. The Breakers are currently booking venues through-out New England and the east coast. If you want to experience Tom Petty & the Heartbreakers music there's only one band that can deliver that sound authentically...The Breakers. Show: 8p | Doors: 7p Tickets: $15 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 18 March

    Cherry Pie -

    Let's Dance Wednesday! Blues, Swing, Zydeco, Rockabilly, Latin Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30pm-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 20 March

    Sugar Ray and the Bluetones -

    Award-winning Blues. About Sugar Ray and the Bluetones History written by Mudcat Ward, bass: In 1977, Sugar Ray Norcia and Neil Gouvin were working southern Rhode Island in their band, Sugar Ray & the Blues Stompers. Up in Boston, Ronnie Earl, still using his given surname Horvath, was beginning to try stage monikers such as Little Ronnie. After a while, the winds of change were swirling. Ronnie and bassist, Mudcat Ward were searching for musical colleagues that wanted to play bluer, lower down, earthier and produce the highest quality blues. Ronnie chose to book a series of dates out of town, under the name "The Dueces." Neil Gouvin, well-known blues drummer in southern New England, was contacted to make the dates and demonstrated that he could provide the sought-after groove. After reviewing the situation from his own vantage point, Gouvin made the suggestion that altered blues history: get his vocalist/harp player Sugar Ray into this picture. Although the band enjoyed the four-piece sound, they wanted a larger band and the addition of a piano player. A number of months later, Ronnie and Mudcat attended a show at Paul's Mall in Boston where Muddy Waters and his band were performing. The opening act, a band from New Hampshire, featured a damned good blues piano player. He turned out to be Little Anthony Geraci. Ronnie and Mudcat visited him in Newton, MA where he was in the middle of writing a sonata. The blues musicians offered Anthony the position and he signed on. The band christened itself Sugar Ray & the Bluetones. They have had multiple personnel changes over the last 40 years but remain true to their blues roots- returning to The Knick and touring throughout the New England area. Show: 8p | Doors: 7p Tickets: $15 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.) Visit Website: www.sugarrayandthebluetones.com
  • 21 March

    Mystic Dead -

    With Wooly Mammoth to open. Mystic Dead is Southern New England's leading Grateful Dead cover band, made up of five lifetime Deadheads who came together in 2018 to pursue their passion of sharing the country's most amazing song book. While the Grateful Dead were from Northern California, some of their most faithful fans, and most memorable concerts, were from the Northeastern US. From the legendary 1980 shows at Radio City Music Hall in NYC, to Ithica, Hartford, Waterville, Boston and beyond, the Northeast was a special place for the Dead, they knew they could count on the fans to dance the night away. Mystic Dead and its five band members are based in one of America's favorite small towns, Mystic, Connecticut. Mystic has a great music, art and seafaring tradition that goes back to the 1600s. Mystic Dead is: Toby Kniffin - Guitar & Vocals Ian Kelly - Guitar & Vocals Jason Hartley - Drums Marty Moroney - Bass Paul Sauvageau - Keyboards & Vocals Show: 8p | Doors: 7p Tickets: $10 advance / $12 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 25 March

    Roger Ceresi’s Trio -

    Let's Dance Wednesdays! Paying tribute to the great music legends of the 50s & 60s Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 28 March

    Swing into Spring with Roomful of Blues -

    WARM Center's 2nd Annual Swing into Spring featuring Rhode Island's own Roomful of Blues is being held on Saturday March 28, 2020 at The Knickerbocker Music Center in Westerly, RI. Roomful of Blues has a new album, titled "In a Roomful of Blues" that is dropping March 13, 2020 so they will be playing new music at the event. This will be a can't miss event!! There will be passed hors d'oeuvres, awesome music and lots of fun!! General Admission tickets are $50 and Reserved seating is $60. Time: 6:30-10p Tickets: $50 general admission / $60 reserved seating
  • 29 March

    Youth on-the-mic -

    The United Theatre and The Knickerbocker Music Center are excited to present YOUTH ON-THE-MIC, a new open mic series for 6th to 12th graders who want to perform, sing, or play music (whether original or covers) to an audience. Open mics for adults are plentiful, and so often, open mics for adolescents aren't held at actual venues. We are thrilled to offer an alternative, providing kids and teens with a place to play and a community of music lovers eager to hear them. Sign-ups for a spot are first-come the night of. Solo singers, solo instrumentalists, and small bands are welcome, but the space is restricted in size with no room for a drum kit.
  • 01 April

    The Chris Leigh Band -

    Progressive Blues-Rock Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30pm-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 03 April

    Alex Cuba -

    Though raised in Artemisa, an hour outside of Havana, Alex Cuba’s artistry is as far-flung as the place he has settled and lived for over fifteen years: Smithers, BC, 14 hours north of Vancouver. His music at once incorporates his roots and is a unique amalgam of styles, having collaborated with artists ranging from Jason Mraz to Ron Sexsmith and Nelly Furtado; and bringing together melodies, popsoul hooks and rock chords. A forward-thinking, indie-minded artist, Alex has amassed a steadily growing following among critics and fans. With over 20 awards and nominations to his name, including 4 Latin Grammys and two Junos Awards and three Grammy nominations. Alex carries his Cuba within, incorporating subtle jazz influences, gained from his early years as a bass player in Cuba, and tasteful, sophisticated chords and lyrics expressing his poetry in an undeniably Cuban way. His growing body of work defines a unique musical place in the Latin diaspora. Building on the 2017 Grammy nominated release Lo Unico Constante with its back to roots introspection, his new collection of songs will be released in September 2019, including 6 featuring’s with Latin American singers and songwriters. Alex joined with Toronto based engineer, John Bailey to record in Gibson’s BC at The Farm Studio. A decision to record all the instruments came to Alex Cuba years ago when the making demos for new songs and wanting to share that undeniable personal sound. A series of singles will be released leading up the album release, September 20th, 2019. Tour dates promoting the album in Canada, Mexico and the US will be found at www.alexcuba.com and listen to the singles on your favourite digital platform. Show: 8p | Doors: 7p Tickets: $15 advance / $20 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 05 April

    Jumping for Jonnycake -

    It's time to JUMP for JONNYCAKE! Join us Sunday, April 5, 2020 from 2:00-7:00pm at The Knickerbocker Music Center for a fun-filled day of live music, food, refreshments, and dancing. Cash bar available! Musical guest bands include: - Neal & The Vipers - Ed Peabody And The Big Blue Thang Music Page - The Duke Robillard Band with Special Guest Sugar Ray Norcia - Gatch General admission is $20. Grab your dancing shoes and reserve your tickets in advance at jonnycake.org/events or (401) 377-8069. Proceeds support the Jonnycake Center of Westerly's Food Pantry and Social Services programming.
  • 08 April

    The Cartells -

    Let's Dance Wednesdays! Jazz/Swing/Motown/R&B/Rock n Roll. Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 10 April

    Phil Adams Group and Jabbawaukee -

    with Dwayne Keith Project Opening From the guy who brought The Music of John Mayer to The Knickerbocker, Phil Adams' music yields the accessible familiarity of popular music, while the Group's arrangements, and grooves guide the audience through musical exploration. Phil Adams Group's nightly excursions, are sure to satisfy a wide audience. In his career, Phil has shared the stage with the likes of Max Creek, Donna Jean Godchaux, Assembly of Dust, Twiddle, Adison Groove Project, Ryan Montbleau, Consider The Source, The Movement, Badfish, Bella's Bartok, The Breakfast, Formula 5, and Keller Williams, to name a few. Feel good music unafraid to explore, and guaranteed to make you move... Jabbawaukee is a Providence, RI based Quintet that utilizes every trick in their musical bag of sorcery. Mixing elements of psychedelic/progressive rock and funk, Jabbawaukee has all the qualities that define some of the best jam bands of our time . Featuring the shredding guitar and vocals of David Hobson, thumping basslines and vocals of Brendon 'Low B' Bjorness-Murano, founder and pocket drummer Jason Laplume, soulful keys and vocals of Jack Skiffington and schorching saxophone of Ross Wheeler. We have been keeping the dance floor moving in New England venues and music festivals since 2017. Right out of the gate, after 6 months of lineup changes, intense practicing and the recording of their debut EP, "Five from the Shack", they hit the ground running. Being nominated for Motif's "Best RI Jam Band" in 2018 & 2019, "Best Band" in the New London Area 2019, in The Day, having their single "Moonlight" played in regular rotation on JEMP radio and opening for such national acts as Twiddle, Spafford, Hayley Jane & the Primates, Pink Talking Fish, Strange Machines, Sister Sparrow and the Dirty Birds, The Mallet Brothers, The Ryan Montebleu Band as well as many others. This along with their crushing sets at Strangecreek, Wormtown and Rose Arts Music festivals (2018 & 2019), Rhythm & Roots 2019 (RI), Block Island Music Festival 2019 (RI), Ziontific Music Festival 2019 (MA), NIMfest 2019 (RI) and The Pheno Cup 2019 (NH) ,solidified them as a stronghold in the Northeast Jam Band Scene. Already booked for Fall 2019 in RI, MA, CT, NH & VT, look for Jabbawaukee to invade your universe in the coming future! Show: 8p | Doors: 7p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 15 April

    Dr. G and the Believers -

    Let's Dance Wednesdays! Dr. G and the Believers is a group of experienced musicians that hail from Southeastern Connecticut and specialize in high energy, blues-based, upbeat music. Influences include Junior Wells, Howlin’ Wolf, Muddy Waters, Tommy Castro, the Fabulous Thunderbirds, Otis Rush, Robert Cray and many others. The core of the group consists of Bob Garofalo on lead vocals, harmonica and keyboards, Bob Young on bass, Mark Burno on guitar and vocals, and Jim Piccione on drums and vocals. Together they’ve put together a collection of songs that are danceable, fun and funky and honed their sound into a tight and soulful blues machine that will get your blood pumping, fingers snapping and feet moving! Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 17 April

    Adam Ezra Group -

    Opener: TBA "NOT SINCE SPRINGSTEEN AND BONO HAVE I SEEN A LEAD SINGER WITH HIS TALENT AND CHARISMA." - JACK CASEY, GENERAL MANAGER WERS RADIO IN BOSTON Talk to any Adam Ezra Group fan around the country and they’ll tell you that each AEG performance is a one-of-a-kind, community-driven experience, propelled by the spirit of the people in front of the stage. For both fans and band members alike, an AEG concert is a rally to live life with intensity and soak in the moments we share with one another. Hailing from Boston, AEG’s unconventional approach to the music world has allowed them to surge beyond their beloved hometown and emerge as one of the most uniquely powerful, underground live music experiences in the country. While Ezra has played with an array of musicians over the years, his current line-up featuring Corinna Smith on fiddle, Alex Martin on drums, and Poche Ponce on bass has been creating a new buzz around the country in 2019, as evidenced by their mind numbing tour schedule, ballooning tickets sales, and opening features with The Wallflowers, Galactic, John Oates, The Wailers, Southside Johnny, Graham Parker, and America. Not believing in set lists, every AEG show provides new and unique concert experiences that the band has been recording in real time and sharing with fans on thumbs drives as part of their "Live Sound Project" every night. Go to any Adam Ezra show, solo or with the group, and you will not only find fans who have traveled vast distances to be there, but also doubtless a fair number of rabid followers accumulating as many AEG shows as possible throughout the year. The fall of 2019 has AEG on more headlining tours supporting their 19th album release and the latest in a series of enhanced, remixed, live albums, aptly named "Better Than Bootleg"(Aug 24, 2019). The musicians who make up Adam Ezra Group are all believers in the power of real-time connection with their audience, explaining their non-stop touring schedule throughout the year. The Bootleg Series is Ezra's attempt at delivering recordings that have the energy and spirit of their live show, while also showcasing studio quality sound. Recorded at City Winery Boston December 2, BTB III also features “Juna Please, All I Am, and Hold Each Other Now” co-written with Rock & Roll Hall of Fame inductee, John Oates, and the standout track, “The Devil Came Up to Boston”, a parody of “The Devil Went Down To Georgia." Show: 8p | Doors: 7p Tickets: $20 advance | $25 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 18 April

    90’s vs 2000’s music by DJ Jay R One -

    Come out and party to the best 90's and 2000's era music with DJ Jay R One Saturday April 18th come out and party with DJ Jay R One as he plays all of the hits from the 90's and 2000's!! If you love artists like Nelly, Britney Spears, Mary J. Blige, and Puff Daddy and the Bad Boy Family, then this event is for you!! Doors open at 8:00pm, music starts at 9:00pm and DJ Jay R One will be keeping the party going until 12:00am!! Tickets are $10.00 each and can be purchased online at 90sversus2000sattheknick.eventbrite.com. Food will be available for purchase in the room as well as directly next door at the Tap Room so come early and grab a bite to eat before the show begins! This event takes place at the Knickerbocker Music Center located at 35 Railroad Ave in Westerly, RI. If you came to the last party then you know you do not want to miss this one...get your tickets early and come out and enjoy yourself!! Show: 9p | Doors: 8p Tickets: $10
  • 22 April

    Ed Peabody And The Big Blue Thang -

    Let's Dance Wednesdays! 1997 winners of the CT Blues Society Challenge Ed Peabody has been a fixture with the blues. With his band Blue Steele, Ed Peabody band, The Johnny Press Mess. And now his dream band Ed Peabody And The Big Blue Thang comprised of three other original members of Blue Steele. Brother Ned Peabody on drums, Larry Parquette on the keys, Michael Barrett on Guitar also Tony Carminati on Bass and Deke Kendarian on sax. Over the years Ed has sat on with any blues icons. James Montgomery, Jeff Pitchell, Neal Vitullo, and James Cotton to name a few. He has also opened for Roomful of Blues, Rod Piazza, and James Cotton. Ed is also a very popular featured artist at many of the local and regional blues jams. Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 25 April

    Roger Ceresi's All Starz -

    Roger rocks the planet with the "All Starz". With Roger's powerful vocals leading the way and his ability to motivate and incite crowd participation, the "All Starz" will deliver high energy jump blues, rhythm & blues and a bit of rock & roll WITH GRIT, SOUL, AND PASSION THAT WILL ROCK YOUR SOUL AND MAKE YOU MOVE YOUR FEET & Dance All Night long!! Backed by a stage full of incredible musicians, each a star in his own right, Roger leads this horn-driven band with all of his soul. Roger is an engaging performer who draws from all his life experiences to create a powerful, high-energy performance filled with passion, excitement and pure unadulterated fun! Audiences are immediately swept up by his energy and enthusiasm. But, like any other great performer, he knows that without a great group backing him up, it wouldn't be the same. To that end, Roger says "this is the best group of guys I've ever performed with, hands down no doubt! I love this band. I have found my home and I'm loving it!" http://youtu.be/eLfVnofgSVs “Come On Let's Boogie” Live @ Waterfire Providence http://youtu.be/vzms1SpW2Ik “walkin on a tight rope” Live! at an Infamous Blues club in Hull mass The C-NOTE http://youtu.be/91jK38LMKl8 “Midnight Cannonball” http://youtu.be/5sx4vWEj8_g "Woke Up This Morning" Show: 8p | Doors: 7p Tickets: $12 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 06 May

    Cherry Pie -

    Let's Dance Wednesday! Blues, Swing, Zydeco, Rockabilly, Latin Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30pm-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 09 May

    The Al Copley Quintet -

    Pianist and singer; arranger and co-founder of "Roomful of Blues" - the renowned American jump band nominated for two Grammy Awards while he was with them. After 16 years with Roomful, relocated to Europe in 1984, and back home to the US in 2010. Al has been performing extensively in Europe and the northeast US for the past few years, and continues to develop in style and taste, always noted for energy, versatility and impeccable harmony. In June 2002 and 2009, Al Copley performed four of his own full symphonic orchestrations before an audience of more than 25,000 with the Boston Festival Orchestra at Summer Pops. Show: 8p | Doors: 7p Tickets: $17 advance / $20 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 20 May

    Superchief Trio -

    Let's Dance Wednesdays! with Superchief Trio Swing/New Orleans R&B/Jump Blues/Boogie Woogie Free Dance Lessons starting at 7p. Music from 7:30pm-10pm. $10 Cover
  • 22 May

    Ward Hayden & the Outliers -

    Celebration of Country Music Show Mark, here's a blurb for the show: Ward Hayden and the Outliers, (formerly Girls Guns & Glory), who recently took home Country Artist of the Year honors at the 2019 Boston Music Awards, have put together a stunning show in celebration of Country Music. This show pays tribute to the music that established the Country & Western genre and wove itself into the fabric of our culture. It runs the gamut of country greats and also touches on the more obscure, but equally incredible country artists, all whose legacies deserve to be championed, appreciated, and preserved. From Hank Williams to Hank Thompson, from Willie to Waylon, from Dolly to Emmylou, this special performance covers the greats and a whole lot more. This is a show that’s not to be missed. Ward Hayden & The Outliers (formerly Girls Guns & Glory) formed as a way to break from the music so commonly found on popular radio airwaves. Hayden’s foray into country music and early rock ‘n’ roll began with a fateful borrowing of a few of his mother’s cassettes. When asked, Hayden remarks, “I was doing these long drives and there was nothing appealing to me on the radio. I was twenty years old at the time and had been through my first experiences with heartbreak and loss. When I put some of these cassettes on the player in my Oldsmobile Delta Eighty-Eight, all I could think was, “this is everything I’ve been searching for.” It took a few years after that to get the band up and running, and now with a line up featuring Paul Dilley on Upright/Electric Bass, Josh Kiggans on Drums and Cody Nilsen on Lead Guitar/Pedal Steel the band has cut it’s teeth the old fashioned way: on the road and on the stage. Since their formation they’ve barnstormed far beyond their Boston hometown, playing honky-tonks, beer joints and more recently concert venues throughout the U.S and Europe. They’ve amassed a loyal legion of fans along the way. The media have noticed too, including Rolling Stone, who heralds them as a “modern-day Buddy Holly plus Dwight Yoakam divided by the Mavericks.” Spending much of their young-adult lives relentlessly touring the US and Europe has not been without hardships, but also not without it’s rewards. The experiences the band has gone through on the road have led to a broader songwriting perspective and also conditioned the band into a well-oiled machine. And when it comes to versatility and musicianship, these guys are second to none. I’m not sure there’s an instrument under the sun that someone in this band can’t find a way to play. Their love for early rock ’n’ roll, true country, raw blues and pretty much any kind of authentic American music branded them quickly as anomalous — and electrifying. The song topics run the gambit of love, hope, work-a-day life, the grind and the results of those experiences on the body and mind. The band, hailing from the Northeast, have always been outliers in the world of country music, often joking they were born out of time and out of place. But, they have stayed true to the sounds that inspired them and the genuine life experiences they’ve gone through no matter where they hail from. Ward Hayden and The Outliers are a musical force to be reckoned with. From heart wrenching ballads, to foot-stompin’ rock ‘n’ roll, whether live or on record, Ward Hayden and the Outliers deliver every time. Cowboy and Lady is a country-blues inspired duo featuring Tyler-James Kelly (The Silks) & Jess Powers. Show: 8p | Doors: 7p Tickets: $15 advance / $18 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 27 May

    Ryan Hartt & the Blue Hearts -

    Let's Dance Wednesday! Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30pm-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 03 June

    Ed Peabody And The Big Blue Thang -

    Let's Dance Wednesdays! 1997 winners of the CT Blues Society Challenge Ed Peabody has been a fixture with the blues. With his band Blue Steele, Ed Peabody band, The Johnny Press Mess. And now his dream band Ed Peabody And The Big Blue Thang comprised of three other original members of Blue Steele. Brother Ned Peabody on drums, Larry Parquette on the keys, Michael Barrett on Guitar also Tony Carminati on Bass and Deke Kendarian on sax. Over the years Ed has sat on with any blues icons. James Montgomery, Jeff Pitchell, Neal Vitullo, and James Cotton to name a few. He has also opened for Roomful of Blues, Rod Piazza, and James Cotton. Ed is also a very popular featured artist at many of the local and regional blues jams. Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $10 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 24 June

    Al Copley Quintet -

    Let's Dance Wednesdays! Blues Piano and Boogie Woogie Doors open at 6:30pm. Free dance lessons starting at 7p. Music from 7:30-10p Tickets: $15 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 27 June

    Christine Ohlman & Rebel Montez -

    with special guest Matt York Christine Ohlman is the current and Longtime vocalist of the Saturday Night Live Band On Matt York's "Boston, Texas," The singer-songwriter uses basic building blocks – Holly's chords, Hank Williams' swagger, Steve Earle's boozy wisdom, Paul Westerberg's straight-up-drunk wisdom – to construct an album of beauty, optimism and heartbreak." – Boston Herald​​​​​​​ __ This queen of blue-eyed rock n’ soul, who grew up loving equally the sweetness of a Memphis horn line and the raunch of an electric guitar riff, whether played by Muddy Waters, Keith Richards, or Pop Staples, teased her blonde hair into a beehive in honor of Ronnie Spector and never looked back, picking up a guitar and forging a career as a songwriter in the process. She’s the current, long-time vocalist with the Saturday Night Live Band (SNL40’s anniversary post-show concert also featured her star turn onstage with Jimmy Fallon, Elvis Costello and the B-52s), whose latest CD, The Deep End, was honored on five national Top Ten lists and features special guests/duet partners Ian Hunter, Dion DiMucci, and Marshall Crenshaw, plus Levon Helm, GE Smith, Andy York, Eric “Roscoe” Ambel, Catherine Russell, Big Al Anderson, and others. Ohlman topped the Alternate Root.com’s Readers’ Poll as top Americana vocalist, joining other winners Paul Thorn, The Mavericks and Rodney Crowell. Ohlman’s legendary voice and stage presence (she’s known as “The Beehive Queen” for her towering blonde hairdo) have most recently been featured on at the 2016 AMA Conference in Nashville; the PBS series “Music City Roots” with Bonnie Bramlett, Sarah Potenza and the McCrary Sisters (June, 2016); 2016 New Orleans Jazz & Heritage Festival’s Tribute To David Bowie; on numerous guest vocal shots on the HBO series “Vinyl" that feature a duet with Elvis Costello; on SNL’s 40th Anniversary telecast (pulled onstage by Jimmy Fallon at the after-party concert at the Plaza Hotel, she tore the roof off with the B52s as her backup vocalists), “The Tonight Show with Jimmy Fallon” (guest shot with Black 47); the 2012 Rock and Roll Hall of Fame Induction Concert in Cleveland (filmed by HBO); the Carnegie Hall tribute to the Rolling Stones; the 2012, 2013 and 2015 Little Kids Rock galas in NYC (taking the stage with Bruce Springsteen, Brian Wilson, Elvis Costello, Steve Miller, Graham Nash, Bill Medley, Tom Morello and others); and the 2012-2015 WC Handy Festivals (she was the special guest of the Blind Boys Of Alabama and soul queen Candi Staton, and helmed a sold-out tribute to legendary producer Jerry Wexler; in 2015 she was the festival’s Grand Marshall and co-billed with iconic guitarist Travis Wammack), as well as on both SNL’s 25th and the aforementioned 40th Anniversary telecasts; Bob Dylan’s 30th Anniversary bash at The Garden (with George Harrison, Chrissie Hynde, and others); the 2013 Obama Inaugural Gala in Washington, D.C.; The Lincoln Center “American Songbook” series with Sting, Lou Reed and Van Dyke Parks; and the Central Park Summerstage Tribute To Janis Joplin (where she fronted both Big Brother & The Holding Company and the Kozmic Blues Band). She appears on Grammy nominees A Tribute To Howlin’ Wolf (with Taj Mahal and Lucinda Williams) and Charlie Musselwhite’s One Night In America (with Marty Stuart); sings the theme song for NBC’s 30 Rock; worked on a musical with the late Cy Coleman (who compared her sense of timing to Peggy Lee’s); duets live with friends like the aforementioned Miss Spector, Mac Rebennack (two private evening of duets she calls “absolute highlights”), Americana stalwart Paul Thorn, Bonnie Bramlett (who has become a longtime friend), Muscle Shoals legends Donnie Fritts and John Paul White of the Civil Wars, and New Orleans mainstays The Subdudes (she joins The ‘Dudes, BB King, Irma Thomas, Richard Thompson and others on Get You A Healin’ to benefit the New Orleans Musicians’ Clinic and has guest-hosted five editions of “Down On The Bayou” during successive Jazz & Heritage Fests with Widespread Panic’s JoJo Hermann, again to benefit The Clinic); worked often with the late blues giants Hubert Sumlin and Eddie Kirkland; collaborated on critically-acclaimed tracks with Marshall Crenshaw (Labour Of Love: The Music of Nick Lowe), Big Al Anderson (Pawn Shop Guitars), and Ian Hunter (When I’m President and Shrunken Heads); edited legendary Rolling Stones producer Andrew Loog Oldham’s autobiography 2Stoned and appears also on Oldham’s historic 2013 release “Andrew Loog Oldham and Friends Sing The Rolling Stones Songbook Vol. 2”). A musicologist of note, Ohlman is a cover-story-writing contributor to Elmore Magazine, and worked with Bonnie Raitt, Ry Cooder & others on the Rhythm & Blues Foundation Awards. Ohlman tours relentlessly, torching clubs up and down the Eastern Seaboard in support of her recordings (Strip, The Hard Way, Radio Queen, Wicked Time, 2008 career retrospective Re-Hive, the aforementioned The Deep End, 2011 concert DVD Live Hive and 2016’s upcoming “The Grown-Up Thing” with her band Rebel Montez (Michael Colbath-bass; Cliff Goodwin-guitar; Larry Donahue-drums). “I’ve come here tonight to set your souls on fire,” she’ll tell an audience. And she will. __ The Boston Herald says of Matt York’s new album Boston, Texas that ”the singer-songwriter uses basic building blocks — Holly’s chords, Hank Williams’ swagger, Steve Earle’s boozy wisdom, Paul Westerberg’s straight-up-drunk wisdom — to construct an album of beauty, optimism and heartbreak”. Matt's new album explores a cross-section of everything from straight-up rock n roll to hints of outlaw country. His album has received radio airplay throughout the world. His album "Boston, Texas" was named Limelight Magazine's Debut Album of the Year". His most recent release, Between the Bars was listed as one of the top albums of 2017 by the Patriot Ledger, Gatehouse Media, Ryan's Smashing Life and radio stations WATD 95.9 FM's Almost Famous Radio and PIXY-103FM. Matt grew up in Foxboro, Massachusetts and began playing the clubs of Boston as a teenager. Since then, he's played on stages through New England, New York, Nashville and Toronto. His latest album "Between the Bars" was released in November, 2017. Gatehouse Media's Peter Chianca wrote of the new album "Put Boston’s Matt York in the 'should be rich and famous department' -- his country rock with a jangly edge has instantaneous appeal, combining wry lyrics about barflies, ex-lovers and fading summers with infectious melodies and a rocker’s penchant for strumming his way through heartbreak". Show: 8:30p | Doors: 7:30p Tickets: $12 ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges.)
  • 25 July

    Rachael & Vilray -

    Rachael & Vilray feels like a rare old vinyl gem that a curious collector found hidden in the dusty bins of some second-hand record shop and decided to share with the world, an unearthed jazz-vocal treasure. Even if listeners are in on part of the secret and already know Rachael Price as lead vocalist of Lake Street Dive or as a frequent musical guest on NPR’s Live from Here, they will surely want to research these marvelous yet utterly unfamiliar songs she and guitarist-singer-composer Vilray (pronounced VILL-ree, no last name needed) perform together. These tunes seem to have been pulled from some hitherto undiscovered chapter of the American Songbook; one might assume that a little Googling will surely yield an intriguing provenance, a colorful story behind each of them. There is indeed a story behind these songs and the formation of this gifted duo, one that is arguably even more fascinating than any lesson in obscure musical history, since ten out of these twelve tracks were written by Vilray himself, expressly for this project. (There are two vintage covers that fit in seamlessly with his work -- Cuban composer Pedro Junco Jr.’s 1943 “Nosotros” and Milton Drake/Louis Atler’s “I Love the Way You’re Breaking My Heart", first popularized by one of Price’s idols, Peggy Lee.) Vilray is very much a contemporary composer who can truly evoke, not merely imitate, Tin Pan Alley tunes from the thirties and forties, a period that he and Price have both long been passionate about. These songs are truly transporting: One can easily believe they could have been plucked from the soundtrack of a Hollywood musical filmed in glorious black and white or from a now-forgotten Broadway show that briefly lit up the Great White Way. But the fact that they are utterly original makes them all the more impressive and even more delightful to hear. The album is a dreamy, warm, inviting set from two good friends who share a unique sensibility as well as a mic. Though they recorded the album with Lake Street Dive pianist Akie Bermiss, a rhythm section, and a small complement of horns, the other players keep a discreet distance, never disrupting the intimacy of this enterprise. They do make room for guest star Jon Batiste to contribute a jaunty piano solo to “Go On Shining,” but otherwise it’s all about the playful vocal back and forth between Price and Vilray, with tempos that facilitate dancing cheek to cheek and lyrics that are sophisticated but never arch, by turns naughty and nice. There’s a sly wink to many of them, but the punchlines are always subtle. Vilray cleverly manages to quote Jean-Paul Sartre’s infamous “hell is other people” quip during the generally sunny “Alone At Last;” the narrator of “At Your Mother’s House” cheerfully threatens some amusingly diabolical revenge against a spurned lover. There’s a lot of period-appropriate referencing of romance, but the approach is more worldly-wise than starry-eyed. After all, the final track is called “There’s No True Love.” Price and Vilray first met in 2003 as students at the New England Conservatory of Music. He formed a couple of bands with Price’s soon-to-be bandmates in Lake Street Dive, Mike Calabrese and Mike “McDuck” Olson. Even then, Price recalls, Vilray had a nimble mind and quick wit when it came to lyrics: “That’s when I knew Vilray was a good songwriter. They would do random clicks on Wikipedia and when they found something interesting, they would write a song about it -- say, the cold-blooded rat of Somalia. Vilray was able to take any subject and write excellent poetry about it, funny rhymes, and he would sing the songs. I thought he was so good -- he could just apply himself to anything.” But at school, says Price, “I didn’t know that Vilray and I shared a love of this particular time period of jazz. It was all I liked to listen before I got there and everyone at school was listening to more avant garde, free stuff that I had yet to be exposed to. So I hid my love of traditional jazz music. I didn’t know then that he played it perfectly.” It was more than a decade later that Price and Vilray began to collaborate. She’d been on the road a good part of each year with Lake Street Dive and he’d been developing his own solo act, just voice and guitar. Though Vilray had kept up with his composing after graduating from the conservatory, he’d fallen out of performing and playing his guitar. It wasn’t until he’d broken a finger at his day job that he realized what had been lacking in his creative life: “When I broke my hand, it changed things psychologically. That slapped me awake and made me realize I only had so long on planet Earth with ten fingers. A friend ran into me on the street when I was in the cast and said to me, ‘You seem really bummed.’ I talked to him a little bit about not playing guitar. He said, ‘I’m going to book you for a show a month or two after you are out of the cast so start thinking about the music now. Once you are out of the cast, you can reclaim that part of your life.’ So I played a couple of shows at this series he was running at Bar Below Rye in Williamsburg, and Rachael came to one of them.” That was in 2015. Price remembers that night vividly: “It was a very moving show. I think everybody in the bar that night felt it. There was dead silence while Vilray was playing. It may have been one of the best sets I’d seen, a perfect night of music. It really tugged at my heart because I missed singing this style of music. I had never really even performed it, even though I was a jazz singer. My repertoire was from even a bit later, fifties and sixties-style arrangements. But I was obsessed with the big band singers of the thirties and forties. I asked Vilray if he would let me do that gig with him -- ‘Can I sing with you next time at this bar?’ And then he gave me one of his songs to learn. That was the first time, the first gig we did, that we had one original. But he wanted me to make sure not to tell the audience it was original, he wanted to see if it would pass. And of course it did. No one knew it wasn’t just a standard of that time. That got the ball rolling for him on the writing from that point forward. He started sending me songs constantly. We quickly went from peppering in his songs and performing a lot of obscure songs from the thirties and forties to all Vilray songs. Which gave the project a whole different feel. “It took us a little bit of time to get into the studio but I’m glad that we waited,” Price continues. “We tried to make a few recordings a year in, but we realized there was a lot of sonic discovery that needed to be addressed, a lot of thinking about how these songs really needed to sound. That could be done so much better after we’d toured a couple of times and played the songs in lots of different ways and lots of different tempos and saw how audiences laughed, reacted. That was an important part of the process.” On stage, Vilray and Price share a mic and Vilray plays guitar. In the studio, they expanded their sound with the help of keyboardist Bermiss, bassist Tony Scherr, drummer Jason Burger, and a horn section arranged by their friend Jacob Rex Zimmerman. Dan Knobler, who’d been behind the board for Lake Street Dive’s Free Yourself Up, came on as producer and engineer. After a day of rehearsal, the players gathered at the relatively small Figure 8 in Brooklyn for what would be a week of basically live-in-in-the-studio sessions. “A hat tip is deserved in the direction of Dan Knobler, the producer,” notes Vilray. “It was his vision to have it largely a live recording. We didn’t only have a rhythm section or a horn section in the room; we were all together recording, nobody in a booth. That’s a dangerous way to play-- you can’t say, ‘Let’s take out the drums and re-record ‘em.’ But it lends itself to a classic energy that’s absent on a lot of jazz and pop recordings these days because it’s safer to do it the other way, where you lay down a guitar track, a basic vocal, and build around it. As a result, for example, a song like ‘At Your Mother’s House’ sounds like an early Louis Jordan rock and roll-jazz hybrid thing. There’s an intimate energy to the record that’s largely thanks to Dan and Jacob, who wrote all the horn parts so authentically. “ “There’s probably a few more instruments present than you may realize,” adds Price. “And that’s because of the way it’s recorded. Besides the vocals, nothing is that in your face, it’s just there lightly supporting. And that’s a lot about what this recording is about. Dan captured that really well.” With Rachael & Vilray, the duo adds a new chapter to the American Songbook, an opportunity to hear tomorrow’s standards today. Show: 8:30p | Doors: 7:30p Tickets: $35 advance / $40 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)
  • 22 August

    Peter Rowan, Solo -

    Grammy-award winner Peter Rowan is a singer-songwriter with a career spanning over five decades. From his early years playing under the tutelage of Bluegrass veteran Bill Monroe, to his time in Old & In the Way and his breakout as a solo musician and bandleader, Rowan has built a devoted, international fan base through a solid stream of recordings, collaborative projects, and constant touring. Born in Wayland, Massachusetts to a musical family, Rowan learned to play guitar from his uncle. He spent his teenage years absorbing the sights and sounds of the Hillbilly Ranch, a legendary Country music nightclub in Boston frequented by old-time acts like The Lilly Brothers and Tex Logan. In 1956 Peter Rowan formed his first band, the Cupids, while still in high school. After three years in college, Rowan left academia to pursue a life in music. Rowan began his professional career in 1963 as the singer, rhythm guitarist and songwriter for the Bluegrass Boys, led by the founding father of bluegrass, Bill Monroe. “One thing I started to like about the Monroe style was that there was a lot more blues in it than other styles of bluegrass,” reflects Rowan. “It was darker. It had more of an edge to it. And yet it still had the ballad tradition in it, and I loved that.” The late ‘60s and early 70’s saw Rowan involved in a number of rock, folk and bluegrass projects, including Earth Opera, Sea Train, Muleskinner, and the Rowans, where he played alongside brothers Chris and Lorin Rowan. After the Rowan Brothers disbanded, Rowan, David Grisman, Jerry Garcia, Vassar Clements and John Kahn formed a bluegrass band christened Old & In the Way. It was during this incarnation that Rowan penned the song “Panama Red,” a subsequent hit for the New Riders of the Purple Sage and a classic ever since. Rowan subsequently embarked on a well-received solo career in the late ‘70s, releasing critically acclaimed records such as Dustbowl Children (a Woody-Guthrie style song cycle about the Great Depression), Yonder (a record of old-time country music in collaboration with ace dobro player, Jerry Douglas) and two extraordinarily fine bluegrass albums, The First Whippoorwill and Bluegrass Boy, as well as High Lonesome Cowboy, a recording of traditional and old-time mountain music with Don Edwards and Norman Blake. Rowan’s recent releases- Quartet, a recording with the phenomenal Tony Rice and Legacy with the Peter Rowan Bluegrass Band, coupled with a relentless touring schedule have further endeared Peter Rowan to audiences around the world. Following on the heels of the celebrated album “Crucial Country: Live at Telluride” Peter recorded his second album for Compass entitled “Old School” with memorable new songs such as “Doc Watson Morning” , “Drop The Bone” and “Keepin’ It Between The Lines (Old School)” with members of the current Bluegrass Band plus Chris Henry, Michael Cleveland, Bryan Sutton, Ronnie, Robbie and Del McCoury and more. Since then the prolific singer songwriter has recorded and released Peter Rowan’s Twang an Groove Vol. 1 (his electric band with drummer Jamie Oldacker and bassist Mike Morgan) on There Records, Dharma Blues (produced by John Chelew and including Jack Casady, Jody Stecker, Patrick Korte and Manose Singh performing songs of the Buddhaverse) on Omnivore Records and his newest, My Aloha, also on Omnivore Records. Internationally, Rowan often performs as a solo singer-songwriter, while stateside, along with solo appearances, he plays in three bands: the Peter Rowan Bluegrass Band, a quintet featuring Keith Little, Chris Henry, Blaine Sprouse and Paul Knight; Big Twang Theory and its Texas Cousin Twang n Groove and rock band The Free Mexican Air Force. Show: 8:30p | Doors: 7:30p Tickets: $20 advance | $25 door ($2 Service Charge Included With Online Tickets. All sales are final, no ticket refunds or exchanges. Seats are on a first-come, first-serve basis, and seats are not guaranteed with ticket purchase.)

Hours

Sunday: Open

Monday: Open

Tuesday: Closed

Wednesday: Open

Thursday: Open

Friday: 1am

Saturday: 1am

About

Scenes: Dance Venue, Live Music, Club, Restaurant, Bar

Cuisines: American, Burgers, Pizza, Seafood

Music: Blues, Live Bands, Rock

Crowd: 21+, Casual Crowd, Locals

Best Food: Burgers / Sliders, Salads

Best Drinks: Beer Selection, Martinis

Dancing: Always

Highlights: Dancing, Drink Deals, Live Performances

Avg. Entree: $10 - $15

Details

Capacity: 250

Dress Code: Casual

Parking: Plenty of Street Parking

TVs: TV's only in the Tap Room

Other Features Include: Beer Selection, Catering, Seating, Takeout, Dance Floors, Gift Cards

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